The Units are a band I discovered in part thanks to No Dogs in Space. During their miniseries on The Screamers (another incredible band worth checking out), they mention synthpunk.org as one of their sources. And there’s no better way to get my attention than to combine two of my favorite things – punk rock […]
I recently dug out my CDs and started reripping them all. I’ve found a few forgotten gems in there, but few hit harder for me than the beautifully concise Professor Murder Rides the Subway EP. There was a period of time in the mid-aughts in NYC where it seemed like every indie band wanted you […]
Two minutes and thirty seconds into the title track of Rachika Nayar’s Heaven Come Crashing, an absolutely massive drum and bass beat drops. As a fan of Nayar’s debut record Our Hands Against The Dusk, it caught me off guard. That album has no percussion on it at all. Heaven Comes Crashing is almost entirely […]
Just why? ʅ͡͡͡͡͡͡͡͡͡͡͡(̸̢̛̼̞̭͋ͅ)̸͚̰͛̔̾̀̿͒͂:̴͓̞̑̌̂̆̊͋̀:̸͎̟̯̂̓̌ ҉ ͡ ͞ ͞ ͞ ҉● ࿀ ● ࿀ ● ҉⃝ ⃝͢ ͞ ͘ ͞⃝̕ ͢ ̛ ⃝ ̸ ̡ ͢⃝̧ ͡ ͡ ̀ ̧ ̢⃝͜ ҉ ͞ ͞ ⃝͞ ͞ ͡⃝ ⃝҉҈҉҈҉҈҉҈҉҈҉ :̶̢͙͙͕̠̩͆(̷̮͍͚̫͚͂̍)̵̳̗̊( ̟̞̝̜̙̘̗̖҉̵̴̨̧̢̡̼̻̺̹̳̲̱̰̯̮̭̬̫̪̩̦̥ What am I supposed to do with this? It’s un-Googleable. Unpronounceable. It doesn’t even render the same way on various platforms. It looks one way on YouTube Music. Another on Apple Music. And yet another on Bandcamp. Even the artist name ⣎⡇ꉺლ༽இ•̛)ྀ◞ […]
Matmos are an incredibly accomplished duo between their own solo records like the masterpiece A Chance to Cut Is a Chance to Cure and production classic Bjork records like Vespertine. But Drew Daniel, one half of Matmos, is fiendishly prolific. When he’s not literally dreaming up new viral music genres, he’s also putting out records […]
There was a period in the early aughts when Definitive Jux (nee: Def Jux) seemed like it was going to be the future of hip hop. While the label featured plenty of experimental, boundary-pushing, and politically minded acts, Lif stood out as the most “conscious rapper” in the traditional sense. It was clear though, that […]
Cold Court is a brother-sister duo from Philly that seems to love nothing more than shoving all of their influences together in a messy soup that at least superficially resembles the hyperpop you’ve come to expect from acts like 100 Gecs. But, where songs like “Dumbest Girl Alive” goofily wink at pop punk and emo, […]
I have this vivid memory of walking to pick up my oldest from school in June of 2022. For a variety of reasons, I was in a very bad place mentally. And to make matters worse, it was brutally hot. I was depressed, angry with the world, sunburned, and soaked through with sweat. But as […]
From the opening moments of bitknot, it’s obvious that Feeble Little Horse has found an entirely new gear. Where on Girl with Fish the blown-out textures were more ’90s indie rock and shoegaze, on their latest LP, there’s a more modern edge to the distortion and the riffs cut cleaner. Similarly, where the digital glitchiness […]
I’ve got to thank my oldest friend and concert buddy, Tim, for turning me on to this one. Ashnymph is a London band that blends post-punk melodies with Krautrock rhythms and industrial grime. Their debut EP, Childhood, drifts between dreamy vocals buried in layers of reverb and four-on-the-floor dancefloor pounding. It’s a thrilling opening salvo […]